Das Internet geht nicht mehr weg, Web3

Onchain

Words matter. “The limits of my language means the limits of my world,” Ludwig Wittgenstein famously wrote. This is one of the reasons why I welcome the recent discussion about words to describe end-user use cases and technological developments in the crypto community. Crypto – do we still use that word? (Yes.)

Base has recently started using ‘onchain‘ to describe many of the phenomena previously associated with the term ‘web3’ – a word I’ve increasingly tried to avoid after the last cycle. It can have a pretentious connotation and lead to negative reactions. During a panel at Bright Moments Paris, I also learned about the history of the hyphen in technology penetration: many technological concepts have in common that as they evolve and get closer to mass adoption, they drop the hyphen if they have one. E-mail became email, on-line became online. Now it’s ‘onchain’. Other words get dropped completely as the technology matures, like cyberspace or information superhighway in the early days of the World Wide Web.

Words matter. They also construct our worlds. ‘NFTs’ and ‘crypto’ are seen differently people’s eyes than ‘digital collectibles’ and ‘onchain’. At 0xNXT, the creative studio for Mercedes-Benz’s onchain digital art and digital collectibles activities, we have been using the term ‘digital objects’ instead of ‘NFTs’ since our launch in May 2023. This seemed to us to be the more accessible term. Of course, we use “blockchain-based” and “blockchain technology” when we go one level deeper into the technology, but we have learned that explaining the use case (“What is unique and what can I do with it?”) is a better onboarding than the technological background.

Concepts and words evolve. Some are dropped, others stick. It will be very interesting to see how sticky ‘onchain’ is during the approaching bull market.

This post was first published on my Mirror blog.

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Das Internet geht nicht mehr weg, Web3

Consumer Product Moment

One reason centralized exchanges have flourished is because of the high access barriers today’s self-custodial solutions, wallets and hardware security devices, still have. We have seen where this approach has led us.

Self-custody software interfaces are still rudimentary, can be confusing and current hardware security devices are clunky, look like USB sticks (which can distort the perception and make it look like the owned assets are actually stored on the device, like a hard drive) and can be hard to set-up for regular people.

Security has to to be convenient, too. We need the self-custody experience and products to be better. In other words: We need to repackage crypto hardware, software and experience as consumer products. Over the last couple of days, we saw two important signals, which I want to point out: amanda0x‘s call for a better wallet software experience and the introduction of the e-ink Ledger Stax, co-developed with Tony Fadell.

Reimagining the experience around interacting with digital art, digital collectibles and cryptocurrency is essential to push blockchain-based technology to the next level. This growing realization in the community is an important first step.

I hope that three other essential experiences—on-ramp, discovery and display—are next. Centralized exchanges are still an important on-ramp channel; Instagram feeds and TikTok are still better discovery tools than a marketplace like OpenSea; and I still have not found a beautiful, quick way to display my NFTs especially in a smart phone environment.

A more consumer-friendly experience will be crucial to improve in order to onboard the next million users. Let’s do it.

This post was first published on my Mirror blog.

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Das Internet geht nicht mehr weg, Web3

NFT’s Shoeshine Boys

There is this anecdote about Joe Kennedy, JFK’s father, who got out of the stock market shortly before the Great Depression, because his shoeshine boy gave him investment tips. It is now referred to the Shoeshine Boy Indicator.

I think we’re at a stage of the NFT (collectibles) market, where scams, rug pulls and unethical influencer behavior are everywhere, with some estimates as high as 80% of all current NFT (PFP?) projects. This comes in addition to the usual “number go up” and “to the moon” shills and paper hand “accusations” for those taking profits, which have long been common in NFT collecting.

There definitely is an NFT speculation cycle going on right now, which evidently has to come to an end some time. Everybody and their mother are talking about NFTs and cryptocurrencies.

But right now, in my subjective perception, the promises of “get rich quick”, which attract average retail investors frustrated by stock and ETF performances through influencers leveraging their audience to sell NFT projects, are broken more often than not. Since I believe that markets are narratives, the more a “current NFT projects are scams” narrative hardens, the more likely is the current speculation cycle to end—the bubble to burst.

When, that of course is the question.

Disclaimer: I’m not saying that

  • every new NFT project is a scam at the moment,
  • the NFT speculation bubble burst is coming right now,
  • it will be permanent or
  • that I’ve lost all conviction in new NFT projects

—but more DYOR and caution is definitely advised in the coming weeks and months.

This post was first published on my Mirror blog.

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Essay, Web3

Web3 wird der Wettbewerb der Frontends

~2008 war ich fest vom aufkommenden Web 2.0 und seinen Versprechungen eines offeneren, partizipativeren und gleicheren Web überzeugt. Begriffe wie Prosument (read-write) – statt der reine Konsument (read) wie noch im Web 1.0 – wurden geboren und es war vom “Mitmach-Internet” bzw. interoperablen Web (durch selbstgehostete Blogs und Technologien wie RSS, Microformats und APIs) die Rede.

Doch es kam bekanntermaßen anders. Im jetzt entstehenden Web3 sehe ich einige Parallelen zur Anfangszeit und der Aufbruchstimmung damals. Doch auch wesentliche Unterschiede.

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Essay, Web3

Generative Kunst

Computer-Kunst und generative Kunst sind nicht neu, fast 30 Jahre sind allein seit Albert Oehlens Computer Paintings vergangen. On-chain generative art allerdings ist in seiner Form eine neue Richtung: hierbei wird der Code bzw. Algorithmus direkt auf eine Blockchain programmiert, durch auslösen dessen, das sog. minten (meist durch die Kunstkäufer:innen, die somit Bestandteil der Werkerstellung werden) wird ein Output generiert. Oftmals gibt es mehr Iterationen als früher, bei denen zwar in den besten Werken untereinander eine Ähnlichkeit vorhanden ist, aber keine zwei Iterationen genau gleich aussehen. Durch diesen Prozess des Mintens wird auch in den meisten Fällen keine Vorauswahl durch die Künstler:innen getroffen.

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Essay

The Future of Energy

The energy market is undergoing a far-reaching structural change. On one hand, a large proportion of energy is becoming electricity-based. On the other, “electricity” itself is changing: from predictable to more volatile sources and from centralized to decentralized production (where residential and corporate customers are not only consumers, but become producers themselves), while the individual producing and consuming assets need to be connected & controlled for better use.

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Das Internet geht nicht mehr weg

Die Ken-Thompson-Anekdote

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Rezension

The Florida Project

The Florida Project ist ein erfrischender Film, der beeindruckend die bedrückende Realität in Motels zeigt: Familien, die nicht wirklich obdachlos sind, aber auch nicht in der finanziellen Lage, ein dauerhaftes Dach über dem Kopf zu gewährleisten. Der Film wird – und das macht ihn für mich so einzigartig – aus der Perspektive der Kinder gezeigt, für die dieses Leben Alltag ist. In The Florida Project gibt keine Vom-Saulus-zum-Paulus-Geschichte, keinen Heldennarrativ, keine Romantisierung der Armut – sondern Alltag, der oft trist erscheint (aber dennoch in einer atemberaubenden Ästhetik auf 35mm-Film und durch die Augen der Kinder dargestellt wird), den täglichen Struggle der Charaktere und immer wieder kleine Gesten, die viel stärker wirken als große moralische Reden.

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